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アタッシュケースが台座になり、何時でも何処でも、その上に載って体に縫いぐるみを縛り、展覧会場でゲリラ的に行うパフォーマンス。
2時間ほど立ち、台座から降りると拍手が起こった。
規制された会場に、突然介入するときの空間の変化に興味がある。
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This is a performance of human sculpture carrying out
randomly at exhibition spaces.
Tying the stuffed animals to the body, I stood up on my brief case, a
make-shift pedestal, to become a "sculpture" by myself. When
I stepped down from the pedestal after being a "sculpture" for
two hours, I even got an applause from the viewers .
I am appealed to the strained moment created by entering abruptly in a
controlled place.
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